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This page features the bibliograhies of some of the Vanity Fair arists of the 19th and earl 20th centuries. To browse our stock of Vanity Fair prints please click here
Leslie Ward ('Spy')1851-1922
cartoonist, was born November 21, 1851, in Harewood Square, London. As the
son of artists Edward Matthew Ward and Henrietta Mary Ada Ward, Ward's artistic
talent was fostered from an early age. After being educated at Eton, Ward
who originally trained as an architect subsequently trained under Sidney Smirke
and W.P. Frith. He joined the Royal Academy Schools in 1871, during which
time Sir John Everett Millais, struck by Ward's caricatures, introduced him
to Thomas Gibson Bowles, the editor of Vanity Fair. Bowles recruited Ward
in 1873 to replace Carlo Pellegrini (Ape). Ward contributed regularly to Vanity
Fair over the next forty years under the pseudonym 'Spy'. He produced over
2,387 caricatures of well-known people including those in government, finance
and education many of which were lithographed by Vincent Brooks. Ward authored
a book of recollections in 1915, Forty Years of 'Spy'. He was knighted in
1918 and died on May 15, 1922 in London.
Ape - Carlo Pellegrini
was born in March 1838 in Capua, near Naples, Italy to a noble family. His
character was prominent and boldly individual from a young age. He began to
draw caricatures in Naples as thumbnail sketches but he didn't have any published
until he joined Vanity Fair. Pellegrini moved to London in November 1864.
Alias SINGE for his first two plates, which was later translated to English
as APE. Pellegrini started working for Vanity Fair in 1869 being the author
of the very first published caricature. There is some confusion as to the
subject of this initial cartoon, his biography published in Vanity Fair suggests
that it was of Lord Beaconsfield, whereas other sources name Prime Minister
Benjamin Disraeli as his first published lithograph. Ape frequently worked
from memory, but when he did work from life, he preferred to have a friend
present to engage him in conversation. He was connected to the English High
Society and had many friends there, although his socialite, generous nature
usually left him in financial straits. He was considered to be objectionably
dressed. Pellegrini continued to work for this publication, with little interruption,
until his death in January 1889 at the age of 50 years. His caricatures were
known to never slander a foe and never to adulate a friend, however the subjects
of his pencil considered him as a friend and were the most ardent of his admirers.
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